Media Blog
Sunday, 13 January 2013
Wednesday, 19 December 2012
Top 10 Disability Stereotypes
- Inspirations- Indomitable disabled person, aka 'Super Cripple' over comes every challenge, "doesn't think of self as disabled" never asks for help, declines accommodation of any kind, climbs Mt. Everest in a wheelchair with a cheesy smile.
- Deviant, Sinister and Evil- Naturally crooked, operate outside normal rules of nature and society, must be contained, controlled or destroyed.
- Victims- Vulnerable, weak, tragic object of violence and abuse
- Exotic Freaks- Generate feelings of horror, aversion, fear of difference, embarrassment
- Clowns- Comic relief, laughable appearance, funny voices, the butt of jokes, dumb and dumber, court jesters, fools
- Pitiful and Sweet- Pathetic, innocent, grateful for crumbs, sometimes speak gentle words if extraordinary wisdom (especially if intellectually impaired) need to be looked after, in film and fiction often finds miracle cure
- Twisted and Bitter- chip on shoulder, whining, acrimonious, angry and difficult, taking out inner hurt and rage on the world, okay to ignore their concerns, pointless trying to communicate with them
- Burden and Outcast- costly, non-contributing burdens on society, "can't" and "don't" fit in anywhere except amongst others of the same kind- should be segregated, institutionalized, provided with the bare minimum or euthanized ("better off dead anyway"), preferably prevented from reproducing
- Non-Sexual- can never be in a relationship (unless partner is a pervert or martyr)
- Incapable of Full Participation in Everyday Life- Nothing to do with how society is built or organized, just can't learn, earn, play, socialize, shop, travel, go to a nightclub or use the phone (cause for unlimited astonishment if can do any of above)
With thanks to Richard Reiser's Work in the UK
Digital Distribution Affecting Consumption of Media Products Essay
To what extent
does digital distribution affect the marketing and consumption of media
products in the area of media you have studied?
Digital distribution has an effect on the film industry as more and
more people are watching films in their homes, whether this is on DVD, Blu-Ray
or, more often, online. Television premiers also mean that less and less people
are going and spending money on film tickets at the cinema, however this doesn’t
necessarily mean that digital is the way forward.
In the science fiction thriller ‘Prometheus’ directed by Ridley Scott,
a huge marketing strategy was put into place in order to promote the film to a
wider audience. A huge amount of funding was given by 20th Century Fox
as well as marketing partners including Amazon. An advertising budget between
$40 and $50 million was given ($20 million from the initial film production
budget of $130 million and the other $30 million from advertising) in order to
promote the film.
Ways in which the film was advertised was by creating a viral
marketing scheme. This included four videos about the film which were released
online. The first video was of Guy Pearce who plays the character Peter Weyland
in ‘Prometheus’ doing a futuristic TED talk about the mission.
The next video was showing the robot ‘David 8’, another character in
the film. The video was first released to the visitors of WonderCon, who got
business cards from ‘Weyland Industries’- the business in the film- which
directed them to a website. This website then gave them a link which showed
them the ‘David 8’ advertisement. A while later, an extended version of the
video was released to the public listing the qualities of the robot portraying
the video as an advert.
The third video was of Naomi Rapace who stars in the movie as one of
the main characters Elizabeth Shaw. She is shown asking various questions and
explaining the reasoning behind the mission, which was carried out in order to
create excitement about the film. The fourth and final video used in the viral
marketing campaign of ‘Prometheus’ was of the ships captain preparing for the
mission. It was kept short to add an element of mystery for the viewer and
would make them even more excited and more desperate to go and see the film at
the cinema.
As well as this, ‘Prometheus’ released a tease, unfinished trailer before
releasing the complete film trailer. This was to create a bigger buzz for the
film and makes it more exciting for the film audiences. The virals and trailers
were all distributed digitally as they were put on to the main ‘Prometheus’
website as well as on the ‘Prometheus’ channel on YouTube. This allowed for
thousands of people to hear about the film and make them want to go and see it.
Promoting to a large audience is expected for this type of film as it allows
for more people to go and see the film. For big budget films, big audiences are
needed in order for the film to make its money back and be an all around
success.
‘Prometheus’ was released on DVD on the 18th of September
2012 in over 50 countries. It was then released on Netflix on the 6th
of November 2012, just over 150 days after the initial cinema release. This
would have had an impact on a lot of people who would have been interested in
seeing the film because it would cost a lot less. As well as being released on
Netflix, ‘Prometheus’ was released on LOVE FILM meaning that people are able to
rent the DVD from the company for less money than it would cost for them to
either buy the DVD or go and watch the film at the cinema.
However, ‘Prometheus’ was also released in IMAX meaning that audiences
who wanted this feature would have to go and see the film at a special IMAX
cinema. This would have meant that people would have to have gone out and paid
the money for this purpose.
As well as this, it was released in 3D meaning that audiences would
have gained a better, more fun and interesting cinema experience as they would
have been able to see rocks and spaceships flying at them and made them feel as
though they are in the film. The film was also released on DVD in 3D so people
with 3D televisions would be able to watch the film in this way using this
feature.
A way to increase the realness of the film ‘Prometheus’ was released
in 4D meaning that people were able to feel movements in their seats as well as
seeing mist and smelling things which the film characters would be experiencing.
Although this was only released in one 4DX cinema, it would have been a major
factor and would have played a large part in the amount of money the film made.
Digital distribution would not have prevented the 4D film from being successful
as there is no way of digitally distribution a film in 4D and so the unique
experience would have made audiences want to go and see the film in 4D.
Films need to make their money back which is why illegal downloading
and streaming of films is such a huge problem. Although the cinema experience
is becoming increasingly expensive, some films are finding it difficult to make
a profit. The large amount of money spent on marketing a film such as
Prometheus means that people are more aware of the film. The more hype, the
more likely it is for the film to be up for illegal downloads as the people
uploading them will know it would be worth it as it is almost a guarantee with
big budget films and so there is always the fear that illegal downloaders will
be more successful than the actual film makers. Advances in technology have
allowed for people to be able to sit in their homes and watch the latest
releases with one swift click. Luckily for ‘Prometheus’, this wasn’t an issue,
however for many, lower budget films this is not the case.
For example, a low budget film such as sci fi adventure film ‘Attack
the Block’, directed by Joe Cornish, did not have the money for the amount of
marketing as ‘Prometheus’. This meant that less people would have heard about
the film. The shortage of marketing meant that they were only appealing to a
small audience in comparison with ‘Prometheus’ however this was expected due to
having a significantly smaller budget of £8 million. The budget was put
together by Studio Canal, Film 4 and also from the National Lottery Funding. These
companies are used to making low budget, low grossing movies and so will have
to consider the use of digital distribution in order to reach a wider audience.
As well has having the small budget, the audience was limited even
further because of the age rating for the film. This meant that even less
people were able to see the film. Because of digital distribution, people under
the age of 15 would have been able to watch the film online because of things
such as streaming and downloading the films.
Although the streaming could have had an effect on DVD sales of
‘Attack the Block’, it would not have really affected the audiences in cinema.
With the age rating being a 15, only a small audience was targeted for the
film. This meant that it wasn’t surprising that the film only grossed £2.5
million however the film wasn’t a flop. Over time, through the sales of DVDs,
‘Attack the Block’ will make its money back. Digital distribution didn’t really
have an affect on ‘Attack the Block’.
Wednesday, 12 December 2012
Meida Ownership, Production and Exchange Essay
Discuss
the issues raised by media ownership in the production and exchange of media
texts in your chosen media area:
There are many issues which can occur in production and
exchanges in media texts
An example of when issues were raised in media
ownership was in Matthew Vaughans comic book adaptation action packed film
‘Kick Ass’. The production company ‘Marv’ (owned by Matthew Vaughan) made up
the original budget for the film which amounted to $10 million which is
extremely small. Having no backing from any of the major film companies meant
there was a problem with the production as there would not be enough funding
for the film to actually be created and exhibited.
Luckily for Matthew Vaughan, Plan B Entertainment, a
film production company owned by Hollywood ‘star’ Brad Pitt, joined in with the
venture and raised the budget from $10 million to $30 million. Although this
budget is still small, it allows enough money to pay for the production and
promotion of the film as well as the exhibition of the film which allowed more
people to go and see the film which ultimately made the film a success.
The low budget meant that issues were raised with the
cast. The stars of the movie were relatively unknown and therefore did not have
a huge fan base and did not bring masses of viewers to the cinema to see the
film. For this reason, there was fear that the film would be unsuccessful and
not be a big hit at the box office.
However, with the use of big, successful Hollywood
actors who work for low budgets such as Nicolas Cage, the film would instantly
gain more publicity. Nicolas Cage is a very successful actor who, after having
money troubles, now works on small films with low budgets that tend to be
fairly successful- ‘Kick Ass’ an example of this. Because Cage only required a
small section of the films budget (unlike he would a few years ago- in 2009 he
was one of Hollywood’s highest paid actors earning an estimated $40 million) it
meant that the rest of the budget could be used more in the production as well
as other, less known actors.
Another issue with the casting in ‘Kick Ass’ due to the
budget was having Aaron Johnson as the main character Dave Lizewski and his
alter ego ‘Kick Ass’ the superhero. Aaron Johnson, a young actor who the
audience would have probably recognised from the John Lennon film adaptation
‘Nowhere Boy’, is young and relatively inexperienced. The issue with this is
that Vaughan wouldn’t know how good a job he would do starring as the main
character in a film of this type- something which he is extremely unfamiliar
with. His performance could have either made the film brilliant or made the
film horrendous. The risks taken by Vaughan to put him as the lead roll could
have been the reason behind the unsuccessful film.
Also, the other main character of ‘Hit Girl’ and Mindy
McCready was played by another unknown, upcoming child actress; Chloe Grace
Moretz. Having only had minor roles in previous films, this was another risk
taken by the films producers. If her performance wasn’t up to the standards,
critics and viewers wouldn’t enjoy the film and wouldn’t promote through
word-of-mouth and so the film wouldn’t have been as big of a success as it was!
Also, a lot of the cast who were playing Americans were
British actors. This is because issues with the budget meant that Americans who
would have expected a bigger pay check than the British actors would have been
too expensive. Also, with Matthew Vaughan being a British director, it meant that
people who he would have worked with in the past would be happy to work with
him because they are loyal rather than the money aspect of the job.
Another issue which was raised about the exhibition of ‘Kick
Ass was the age rating. With ‘Kick Ass’ being an action film adapted from comic
books, the idea audience would have been young teenagers, however this was not
the case. Instead of the 12 or 12A rating which would have been expected, ‘Kick
Ass’ was a 15. This meant that the audiences who were able to see it may not
have been attracted to the film and not wanted to go and see the film. This could
have made the film extremely unsuccessful.
However with the release of ‘Kick Ass’ on Blu-Ray and
DVD, the people who were unable to see the film in the cinema were able to buy
it from a shop. Because they couldn’t go and see it in the cinema, they would
have to buy it on DVD or online and so made the film more successful after the
release.
Also, something which didn’t impress film critics was
the language used throughout the film. Having a twelve year old girl swearing would
have been slightly off putting for certain people (even if it was what made the
film so humorous) and would have put them off going to see the film. May critics
said that the bad language should have been taken out of the film- as well as
being kinder to ears, it would have lowered the age rating and made the film
available to a larger audience- however Vaughan and script writer Jane Goldman
decided against it as it was one of the main features of the film.
As well as this, the sound track consisted of songs
notably from many other films. This is because the small budget didn’t allow
for songs to be produced purely for the film. There was one song- the main
song- used in the film which was recorded for the pure purpose of the film and
was recorded by star of the time; Mika. This was good publicity for both Mika
and the film as he was fairly successful in 2010 when ‘Kick Ass’ was released. However
using songs from other films could have been risky because some of the songs
were used from well known movies.
Lastly, the small budget meant only small amounts of
CGI used. This could have made the film have a poor effect on the viewer;
however this was not the case as the poor quality of some of the fight scenes
were what made the film funny and appealing to the audience.
Another example of where there were problems with media
ownership, production and exchange was in Ben Wheatley’s action/horror film ‘Kill
List’. With a budget of just £500,000, there was hardly any money to get any
well known actors or actresses and so had to use unknown actors in the film
(including Neil Maskell, MyAnna Buring and Michael Smiley). This meant, as there
were no huge stars, no amount of fans would have gone to the see the film as no
one who was in the would have created a large amount of excitement for the
film.
Also, the small budget left no money for promotion
meaning, again, that no buzz was created amongst potential audiences. The lack
of promotion meant that no one really knew about the film unless they went to
small, art house style cinemas to see a film of the same genre and saw the
advert for it as a trailer before their actual film.
There wasn’t a proper premier because there wasn’t a
large, well known cast and the potential audience was limited. This also meant
that there was no buzz created for the film. The only place where the film was ‘premiered’
was at the Film 4 Fright fest- It was held at the Film4 Fright Fest because
Film4 were one of the film production companies that put money into the film
along with Warp X and Rook Films. They all put the money together in order to
create the film- meaning that the people who were interested in the genre would
have seen it. This was a good way to promote the film to the target audience,
however this audience is only limited and so would not have been a guaranteed success.
Having this issue with the audience meant that only
people over the age of 18 were able to go and see the film, however I think
that people who are most interested in horror films are slightly younger
teenagers (like 16 year olds) and people who are 18 and over wouldn’t necessarily
be attracted to this genre of film.
Also, the extreme violence and strange plot meant that
some film critics loved it and some hated it. It was important for the success
of the film that it got good reviews as that was one of the only ways people
would be attracted to go and see the film. Luckily, most thought that the plot
and violence was good and gave fairly good reviews meaning that some of the
people who read the reviews went to see the film. Could the good reviews from
critics have played the major part in the film grossing over £16,000?
Sunday, 9 December 2012
Digital Media Technology Essay
What
significance does the continuing development of digital media technology have
for media institutions and audiences?
To a certain extent, the
development of digital media technology has allowed media institutions to
connect and branch out to their specific target audiences. In a way, it allows
the media institutions to promote the film on a smaller scale- and budget- and
creates more excitement for the film among the target audience and therefore
creates a bigger buzz in the run up to the films release date.
One example of when
digital media technology being used in a successful film was in Ridley Scott’s
science fiction film ‘Prometheus’. Digital media technology was used in both
the production and the promotion when the film from the ‘Alien’ franchise was
released. It was shot using 3D cameras and was released in 2D, 3D (in selected
cinemas) and, in one cinema in Mexico City, even 4D. 4D is where physical
effects in the cinema allow the audiences to feel as if they are in the film by
including motion in the seats and sometimes smell-o-vision which is where
smells are released in the cinema. ‘Prometheus’ was released in a 4DX cinema
which allowed the viewers of the films to feel motion in their seats as well as
having a feature which released and allowed then to feel the mist, wind, fog
and smell which the characters in the film experienced.
Ridley Scott’s film
production company teamed up with Brandywine productions (a production company
which has worked on all of the films from the ‘Alien’ franchise) and 20th
Century Fox, one of the ‘big six’ Hollywood production companies in order to
come up with a budget for the promotion. They came up with $50 million ($30
million of which came from promotional partners such as Amazon) which paid for
a huge advertising campaign. The advertisement budget allowed a series of videos
which were created and released on the internet in order to be shown all over
the world. One of the virals was of Peter Weyland- a character in the film
played by Guy Pearce- doing a futuristic style TED talk about the basic plot of
the film in front of thousands of people. This viral was released a few months
before the films release. The growing use of media technology meant that a
website was created especially for this reason. As well as this, a Weyland
industries website was created as a fake website for the fictional company in
the film owned by the TED taker Peter Weyland.
As well as the TED talk,
at WonderCon- a science fiction convention- the film panel (people who attended
the convention) were given a business card which directed them to a website
which featured a video advertisement for the ‘David 8’ robot (played by Michael
Fassbender) which is featured in the film. Later
in the year (and closer to the films release date) an extended version of the
video was released listing all of the qualities and functions of ‘David’. As a
free method of promotion, a twitter account was created for David which allowed
twitter users to ask the character/robot questions and get to know more about
the character.
Also, two more videos; one
of Rapace starring as scientist Shaw and the other of the ships captain Jack
preparing for a mission were all released consecutively in order to create
excitement about the film.
However digital media
technology was not only used in the promotion of the film, it was also used
throughout the production of the actual film. As the film was released in 3D,
it was shot in 3D as it is easier and was better for when the footage was being
edited. Scott was focusing on the 3D footage as he said
it added the ‘illusion of depth’ showing that the continuing growth of digital
media technology is not only good for promotion but also makes the quality of
films a lot better for audiences.
Also, a lot of special
effects were used in the film which required CGI. This would only have been
able to happen due to the growth of digital media technology. For example, in
‘Prometheus’ a lot of alien creatures are used, most of which required some
form of CGI, in order to make them seem realistic. Neal Scanlan and Connor
O’Sullivan developed the alien creature trying to make them all seem to have a
logical biological function and purpose. The ‘Engineers’ were created to
resemble Roman Gods and were created by the application of bulky, full body
prosthetics to the actors- whose facial features were diminished by the
material and were later digitally enhanced to portray a god-like perfection.
Another snake-like alien called the ‘Hammerpede’ was created through a mixture
of CGI and practical effects after the practical puppet wires were removed.
As well as alien
creatures, sets and vehicles required lots of special effects to create a
realistic effect for the film. Arthur Max, the set and vehicle designer, used
digital 3D models and miniature replicas of each set to allow designers/makers
to know where the CGI elements would be inserted. The realistic look of the
ships and the vehicles would not have been conveyed as well as they were
without the use of digital and CGI which is all a direct result of the growth
and advances in digital media technology.
Approximately 1,300
digital effects shots were used in ‘Prometheus’ meaning that most of the film
was created through the use of digital which is also a direct result in the
growth and advances in digital media technology. Studios including Movin
Picture Company (MPC) created the shots, with the most complex effects being used
for the orrey 3D digital map which contained over 80 million polygons within
it, taking several weeks to render as a single, complete shot. This made the
map look realistic and futuristic and would not have created the same effect if
the advances in digital media technology hadn’t been as big.
Another science fiction
film which used a lot of digital media technology was ‘Rise of the Planet of
the Apes’ directed by Rupert Wyatt. It was released in 2011 and had a budget of
$93 million- less that ‘Prometheus’ which had an estimated budget of $130
million- which was financed by 20th Century Fox and was a film
following on from the ‘Planet of the Apes’ franchise.
Digital technology was
used when creating the apes in the film. Originally, real apes were going to be
used in the film rather than computer generated creatures; however the
producers decided to use actors which would then be digitally transformed into
the apes we see onscreen. Andy Serkis, the actor who played the role of lead
ape Ceaser in the film, has had roles in films like this previously, such as
King Kong in the 2005 film ‘King Kong’, and so is familiar in the ways in which
the apes move and makes it look realistic.
The performance capture process
begins with Serkis in a grey tracksuit with green stickers tracking his
movements in an ape style way on set in Vancouver. When the producers are happy
with the movement they send the footage over to the WETA digital studio base in
Wellington, New Zealand where they create a more ape-like look by adding skin
and fur. The end result is very realistic showing that digital technology is
useful in the film industry. Without it, ‘Rise of the Planet of the Apes’ wouldn’t
have been nearly as good and wouldn’t have had such a realistic look.
Digital technology was
also used on some of the sets of ‘Rise of the Planet of the Apes’. The budget
allowed the crew to have freedom when filming on set and it often led to them
using exterior environments to shoot in. However, in some cases- such as the golden
gates bridge scene- physical set was used with additional computer generated
parts to create a scene of better quality.
The growing use of
technology also meant that the adverts and promotional trailers were able to be
shown/viewed worldwide. With the ever increasing use of smart phone technology,
websites such as YouTube enable people to see film trailers and teasers on the
go. This also means that if a film has its own website, it can ensure that a
mobile phone version of the website will be created so that people can search
for information on the film wherever they are rather than waiting until they
get to the nearest computer.
Facebook and twitter
pages and accounts were also made for ‘Rise of the Planet of the Apes.’ This was
used as a cheap method of promotion for the film as facebook has over 1 billion
activated accounts and twitter has over 140 million users meaning that the
pages would show to a huge amount of people. The more people that know about
the film, the more chance a film has of success and so it was important that ‘Rise
of the Planet of the Apes’ branched out to a large audience. People use online
social networking sites such as Facebook and Twitter every day so it is almost
impossible for the dedicated film pages to not attract anyone to go and see the
movie. It worked. ‘Rise of the Planet of the Apes’ grossed over $480 million.
Without CGI and digital
technology, ‘Rise of the Planet of the Apes’ wouldn’t have been as good and wouldn’t
have had the same effect on the viewer. The way the apes all looked so realistic
meant the audience felt a connection with the character and made them more
emotional when they watched it as all of the chimps actions and emotions were
shown and created purely for that purpose.
CGI was also used in low
budget British film ‘Attack the Block’ which was directed by Joe Cornish when
creating the aliens. The CGI effects were used to create the glowing teeth of
the monsters which made them original and scary. The addition of fur was also
added by the digital effects team and the overall effect wowed critics, some of
whom said that the creatures were what made attack the block so good.
IMAX (Image Maximum) is
a motion picture film format and a form of digital media technology. It improves
the quality of display images up to a greater size and resolution which
ultimately ends up in having a film with a better quality image. Since 2002,
some feature films have been upgraded to the IMAX format purely for display in
IMAX theatres and some films have been partially shot in IMAX.
The IMAX conversion with
Warner Brothers (WB), one of the Hollywood ‘big six’ film production companies,
means that, as well as increasing the worldwide popularity of the IMAX
experience, the quality of the 20 films WB plan to release in IMAX will be much
better and will be more pleasing for the audience to watch. Since the decision
to release various films in the new format, massively successful films such as ‘Harry
Potter and the Deathly Hallows’ have been released by WB in IMAX and gained
incredible reviews proving that this huge advance in digital media technology
makes the film industry more enjoyable and overall more exciting for the
audience
Overall, the growth and
advances in digital media technology mean that the quality of the films
released in the future will be much better. The idea of things such as IMAX and
4D cinema experiences makes the film experience much more enjoyable and more
exciting for the movie audiences and aims to create a boost in the number of
people going to the cinema and supporting the film industry.
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