Tuesday, 9 October 2012

Kick Ass: The Shoot

Filming locations for
 
Kick-Ass (2010)

 

  • All Star Lanes, Whiteleys Shopping Centre, Bayswater, London, England, UK
  • Charles Street, Hamilton, Ontario, Canada
  • Cinespace Film Studios, Toronto, Ontario, Canada (studio)
  • Dip 'n Sip Donuts - 663 Kingston Road, Toronto, Ontario, Canada
  • Elstree Studios, Borehamwood, Hertfordshire, England, UK(studio)
  • Keith Street, Hamilton, Ontario, Canada (Dave's House)
  • London, England, UK
  • Pinewood Studios, Iver Heath, Buckinghamshire, England, UK(studio)
  • Sir Winston Churchill Secondary School, Hamilton, Ontario, Canada
  • Toronto, Ontario, Canada
  • Yonge Street, Toronto, Ontario, Canada

 
Interview with Matthew Vaughn about the film as a whole
 
 

Kick Ass: Finance


Box Office Info

 

 
 

Budget: £30 million

Opening Weekend:
-£3,881,704 (UK) (4 April 2010) (402 Screens)
-$19,828,687 (USA) (18 April 2010) (3,065 Screens)

Gross
-£11,597,750 (UK) (13 June 2010)
-$48,043,505 (USA) (27 June 2010)



Why ‘Kick-Ass’ Succeeded At the Box Office (Even If It Doesn’t Feel That Way)

Features By Cole Abaius on April 19, 2010 | 

 
Updated: Deadline is reporting that Kick-Ass actually won the week by a narrow margin of $19.8 million to $19.6 million for How to Train Your Dragon.
I’m sitting in a giant echo-chamber of a movie theater complete with it’s old-style, curved panoramic screen and chairs that were ordered with gusto by someone in the 1950s. In the Century Park 16, tucked away from the rest of the bustling world in Tucson, Arizona, it’s no surprise that my afternoon screening of Kick-Ass is almost completely empty except for a trio of teens who are skipping school, a middle-aged man who’s slouched down in the back, and a couple that sneak in fifteen minutes into the action.
There’s almost never a huge crowd there (which is part of why I love it), but the bad news for Matthew Vaughn and company is that the scene I witnessed was the norm, not an outlier.
So now everybody is asking the proverbial question about how a movie with that much hype performs with such lackluster at the box office. After all, it came out with geeks screaming its praises from Butt-Numb-a-Thon, from South by Southwest, and from Austin in general. How could all of those positive reviews not lead to success?
It’s fairly simple actually, but the first thing to remember is that Kick-Ass wasn’t a failure except at playing the expectations game. Let’s look at it in context:
Kick-Ass is an indie film made for $30 million that just made $37 million world-wide by its U.S. opening weekend.
Even with the average path a film takes through the theaters, the movie has already made its budget back, will make its advertising budget back by next weekend, and will ultimately be a financial success. It won’t be the smashing success that some predicted, but it will still be a success.
Of course, those raw numbers don’t take into consideration the split between Lionsgate, the theaters, and the film’s producers, so technically the production team has not regained its original investment. However, a film (especially one with this type of budget) making an equitable number back on its opening weekend is a good sign that it will be on schedule to be a positive investment.
People are shifting in their seats about sequel possibilities seeming out of reach now, which is a fine question to ask, but we’ll get to that after taking a look at why Kick-Ass didn’t explode out of the box.

Kick Ass: A Kick Ass Cast

Aaron Johnson as David "Dave" Lizewski / Kick-Ass: Johnson said that Kick-Ass is a "sensitive guy" who lost his mother and is a "nobody" at school, so he creates his superhero identity "as this whole different persona." Johnson said that Dave is "a kid who’s got the guts to go out there and do something different."

 
MATTHEW VAUGHN: When we first met, you were just a young whippersnapper. But within a year, your life has probably changed beyond recognition. Where is your head at right now?

AARON JOHNSON: Quite a lot has changed. I dunno… I’m just happy. I’m sort of more interested in what’s going on in my life rather than my career right now, to be honest. It’s quite exciting because I’ve got two really interesting films out this year, so it’s a good moment to sort of take a break and enjoy life.
 
 
Chloë Grace Moretz as Mindy Macready / Hit-Girl: Vaughn commented on the maturity of Moretz, who said that because she has four older brothers, she was no stranger to much of the language in the script. Her mother read the script and permitted her to use the profanity in the movie.Jane Goldman, one of the two co-writers of the script, said, "We just really wanted Hit-Girl to be a character who, in a sense, simply happens to be an eleven-year-old girl," Goldman said that Mindy "is genuinely dangerous, she's genuinely mad. It's not her fault: she's been raised in this environment where she doesn't know anything different."
 


 
Nicolas Cage as Damon Macready / Big Daddy: Vaughn described Cage's performance as a little bit Elvis and a little bit Adam West. A character in the film even says his costume looks like that of Batman.Cage was inspired by his costume to try delivering his lines in the same style Adam West used for Batman.
Christopher Mintz-Plasse as Chris D'Amico / Red Mist: Frank D'Amico's son.
Mark Strong as Frank D'Amico: The head of a criminal organization

 

Film 4 Review Clip on Characters:

On the action front, in particular, it rarely fails to deliver - Dave's early forays into vigilantism feel brutal and real, while Vaughn shows a consummate amount of flair in choreographing a breathtaking, one-take rampage by Nic Cage's Batman-esque Big Daddy. But if the action sequences - and indeed, the film as a whole - provide us with a real star, it's in the foul-mouthed, samurai sword-wielding, pre-pubescent hurricane known as Hit Girl, a character and performance that mark young Chloe Moretz out as an astonishing discovery.

Monday, 8 October 2012

Development

 


Production companies:

-Marv Films: a British based film production company set up in 2004
-Plan B Entertainment: a film production company founded by Brad Pitt founded in 2002
together, these film production companies found £30 million in order for kick ass to be created.



Film Distributors:

  • Universal Pictures International (UPI) (2010) (UK) (theatrical)
  • Universal Pictures International (UPI) (2010) (Australia) (theatrical)
  • Paramount Pictures (2010) (New Zealand) (theatrical)
  • Nordisk Film (2010) (Norway) (theatrical)
  • Nordisk Film (2010) (Sweden) (theatrical)
  • United International Pictures (UIP) (2010) (Croatia) (theatrical)
  • Nordisk Film (2010) (Denmark) (theatrical)
  • Lark Films Distribution (2010) (Hong Kong) (theatrical)
  • A-Film Distribution (2010) (Netherlands) (theatrical)
  • Leopolis (2010) (Russia) (theatrical)
  • Cathay-Keris Films (2010) (Singapore) (theatrical)
  • Nordisk Film Theatrical Distribution (2010) (Finland) (theatrical)
  • Viva International Pictures (2010) (Philippines) (theatrical)
  • Monolith (2010) (Poland) (theatrical)
  • CatchPlay (2010) (Taiwan) (theatrical)
  • Lionsgate (2010) (USA) (theatrical)
  • Metropolitan Filmexport (2010) (France) (theatrical)
  • Universal Pictures International (UPI) (2010) (Germany) (theatrical)
  • Warner Roadshow Film Distributors (2010) (Greece) (theatrical)
  • Prisvídeo - Edições Videográficas (2010) (Portugal) (theatrical)
  • Media Pro Film Distribution (2010) (Romania) (theatrical)
  • Lotte Entertainment (2010) (South Korea) (theatrical)
  • Universal Pictures International (UPI) (2010) (Austria) (theatrical)
  • Nu Metro Theatres (2010) (South Africa) (theatrical)
  • Acme Film (2010) (Lithuania) (theatrical)
  • Bioscop (2010) (Czech Republic) (theatrical)
  • Culture Publishers (CP) (2010) (Japan) (theatrical)
  • Innoform Media (2010) (Singapore) (theatrical)
  • InterCom (2010) (Hungary) (theatrical)
  • Maple Pictures (2010) (Canada) (theatrical)
  • Paramount Pictures do Brasil (2010) (Brazil) (theatrical)
  • United International Pictures (UIP) (2010) (Argentina) (theatrical)
  • Universal Pictures International (UPI) (2010) (Switzerland) (theatrical)
  • Universal Pictures International (UPI) (2010) (Mexico) (theatrical) (Latin America)
  • A-Film Home Entertainment (2010) (Netherlands) (DVD)
  • A-Film Home Entertainment (2010) (Netherlands) (DVD) (Blu-ray)
  • Argentina Video Home (2010) (Argentina) (DVD)
  • CN Entertainment (2010) (Hong Kong) (DVD)
  • CN Entertainment (2010) (Hong Kong) (DVD) (Blu-ray)
  • Emperor Motion Pictures (2010) (Hong Kong) (all media)
  • Film1 (2011) (Netherlands) (TV) (limited)
  • IPA Asia Pacific (2010) (Thailand) (all media)
  • Lionsgate Home Entertainment (2010) (USA) (DVD)
  • Lionsgate Home Entertainment (2010) (USA) (DVD) (Blu-ray)
  • Nordisk Film (2010) (Finland) (DVD) (Blu-ray)
  • Nordisk Film (2010) (Sweden) (DVD)
  • Nordisk Film (2010) (Sweden) (DVD) (Blu-ray)
  • RTL Entertainment (2012) (Netherlands) (TV) (RTL5)
  • Spike TV (2013) (USA) (TV) (cable)
  • Tanweer Films (2011) (India) (TV)
  • Universal Pictures Home Entertainment (2010) (Brazil) (DVD) (Blu-ray)

  • Monday, 1 October 2012

    LOST Work

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